Touring Production That Travels
Full-service tour production for national and regional runs. Owned staging, audio, lighting, and LED video — with a traveling crew that lives on the bus with your artist from rehearsals through the last show.
Your Tour. Our Rig. Our Crew.
From tour advance through the last bus call, your run is handled by one integrated team — production managers, FOH and monitor engineers, LDs, LED techs, and riggers who travel together and know the show cold by night three.
Built for Artists on the Road
Rocket Productions brings 18+ years of live event and touring experience to every run. We own and operate our full inventory — mobile stages, line array PAs, lighting rigs, LED walls, truss, and rigging — so you never wait on a sub-rental truck that didn't make the load-in window.
Our team includes production managers, FOH and monitor engineers, lighting directors, LED techs, and certified riggers who travel with the tour. When your artist asks for a cue change at soundcheck, the person making it has been on the road with you since night one.
We don't hand your tour off to a different local vendor in every city. One team, one rig, one accountability line — from first rehearsal to final strike.
Stageline SL260 with integrated audio, lighting, and LED on a regional tour date
One Rig. Every City.
Piecemeal touring — a different local rental company in every market — is how tours fall apart. Engineers re-learn the patch every night, soundcheck eats showtime, and nobody owns the 10 a.m. load-in disaster when a chain motor doesn't show up.
Integrated tour production fixes it. Your artist plays the same show, through the same gear, with the same crew, in every market. One contract, one invoice, one phone call when something needs to change.
End-to-End Touring Production Services
Staging, audio, lighting, LED video, rigging, and a traveling crew that lives on the bus — every discipline you need for a national tour under one contract.
Why Artists Are Ditching Local Vendors
Booking a different vendor in every city used to be standard. It isn't anymore. Here's how an integrated tour production partner compares across every factor that actually matters on the road.
Schedule a Free Tour Planning Call
Not sure if our rig fits your artist, your venues, or your budget? Our tour production team will review your routing, venue specs, and artist rider, then give you an honest feasibility assessment — including a realistic line-item budget and any red flags we spot in the advance.
From Advance to Tour Close
Touring demands ruthless preparation. Every venue is different — different load-in doors, different rigging points, different local crew, different power — and every difference has to be solved before the trucks roll.
Every phase is owned by a dedicated production manager who coordinates between your artist team, our road crew, and the local venue — one thread of accountability from first advance call to the last settlement.
Phase 01
Routing & Production Advance
We start with your tour routing, venue specs, and show requirements. Our production managers advance every date — power, load-in doors, spot positions, rigging points, local crew calls — and build a market-by-market production book before the first show.
Phase 02
Show Design & Rehearsals
Lighting designers and production managers work with your creative team to finalize light plots, LED content, audio patches, and stage plots. We book rehearsal space, build the rig once, and program the show with the artist before a single truck rolls.
Phase 03
Truck Pack & Road Kit Build
Everything is pre-built, labeled, color-coded, and trucked in strict load-out order. Redundant consoles, spare motors, backup amps, and a road kit of consumables travel with the tour — because the show doesn't stop at 8 p.m. in Des Moines for a missing XLR.
Phase 04
Load-In, Soundcheck & Doors
Our stage manager hits every venue by 8 a.m. with the traveling crew. Stage up, PA flown, lights focused, LED mapped, soundcheck on time. Local crew is coordinated by our road crew chief — not by you, not by your artist, not by the venue.
Phase 05
Showtime & Between-Show Support
Traveling FOH, monitor, lighting, and video operators run every show. Between markets, our production coordinator handles settlements, hotels, bus calls, catering, and any last-minute changes — so your artist team can focus on the show, not logistics.
Phase 06
Strike, Routing & Tour Close
Clean strike, trucks loaded in load-in order, bus call set, next market routed. At tour close: full inventory audit, gear returned to our HQ, show documentation archived, and a post-mortem with your team. Every tour makes the next one tighter.
Everything From Advance to Strike
One production team handles every discipline below. No juggling local rental vendors, no chasing sub-contracts, no gaps between your staging, audio, lighting, and video pieces.
01
Tour Advance & Planning
- Routing review & venue advance
- Production book & rider reconciliation
- Load-in/out plans per market
- Rehearsal space & pre-production
- Crew scheduling & travel booking
- Budget build-out & market pricing
02
Staging & Structural
- Mobile stage deployment (SL100 / SL260 / Apex)
- Modular deck & riser systems
- Ground support & flown truss packages
- Certified chain motor rigging
- Weather protection & tarps
- Barricade, spot towers, FOH builds
03
Audio, Lighting & Video
- Line array PA systems & sub configs
- Monitor world & in-ear packages
- Programmed lighting rigs & fixture packs
- LED video walls & IMAG camera packages
- Media servers & content playback
- Redundant FOH & monitor consoles
04
On-Tour Operations
- Traveling production manager
- FOH, monitor & lighting engineers
- LED & video techs with spares
- Rigging foreman & stage managers
- Bus/truck logistics & settlement
- Tour close-out & equipment return
Ready to Plan Your Tour?
Share Your Routing. We'll Build the Run.
Tour dates, venue list, production rider, and artist requirements — share what you have and our team will design a custom tour production plan with transparent, market-by-market pricing.
Touring Production FAQ
Common questions from artist managers, tour managers, and production managers about booking, pricing, routing, and working with our touring crew.
A touring production company provides the full technical infrastructure for a multi-city concert tour under one contract — staging, audio, lighting, LED video, rigging, and traveling crew that move city-to-city with the artist. Local production vendors only serve a single market, which means a national tour working with local vendors juggles a different rig, a different crew, and a different patch sheet every night. We travel the same gear, the same crew, and the same show to every date — consistency your artist and your FOH engineer can rely on from rehearsals through tour close.
Touring Production in Atlanta & the Southeast
Mobile stages, line array audio, LED video, lighting rigs, and traveling crew — dispatched from our Atlanta headquarters to venues across the Southeast and nationwide. We've routed tours from 500-cap rooms to 12,000-seat amphitheaters.
